Showing posts with label Blackbird. Show all posts
Showing posts with label Blackbird. Show all posts
Thursday, 22 August 2013
Cork Traditional Sets
Really interesting. With the exception of Garden of Daisies, which is similar to the version I know but performed differently, not many of these set dances are anything like the ones I know. I've seen many different variations over the years but I've never seen some of these. St Patrick's Day in particular. I genuinely didn't even know there was more than one version of the 'Lion's Claw' step.
Performed by dancers from the McTeggart school after a workshop with Maureen McTeggart-Hall, ADCRG.
Monday, 29 April 2013
Four out of five.
Weekend was fairly productive.
1 - gently run my traditional sets - done! Kicked myself in the shin two bars into St Patrick's Day and set off a nice little bruise, but it was an ok session apart from that. St Pat's itself was fine, not my favourite trad set. I feel like I sink too much in the four trebles. In the Blackbird I tangled my feet in the step (tried to go 'and brush and brush treble and back 23' when of course there's no 'back') but started again and it was fine. Garden I really struggled with especially in the step, but I got myself back on it. I probably haven't danced it since my exam so it's always going to be rusty. Jockey was ok considering it's still quite new to me and I've practised it a grand total of about four time. Three Seas similar - need to work out which foot I'm on in the boxes. Job I actually did correctly all the way through at the first time of asking for the first time in my ENTIRE life. And King, although I only did the step, was ok. More on this....
2 - review King, because it's not sticking in my brain - in progress. I've done a video clip on my phone so that I don't have to always put the dvd on to review, but it's still a source of confusion in places. Must try to actually dance it now.
3 - attempt some hornpipe choreography - well, yes. I've got 8 bars that look really nice in my head and would be good for both dancing and teaching, but my feet won't move fast enough because in my infinite genius I put in a move I can't do. Yet.
4 - work on the new sequence I've learnt recently - forgot about this one.
5 - identify areas for study, ceili-wise - yes, done. Basically I thought through every single dance and wrote a list of things I wasn't sure about - like "which was does the ring go in dance x" or "which side do the gents cross in movement y". I then used the book to answer all my own questions which was quite a useful exercise.
As there's less free time during the working week, I am going to give myself another five tasks but this time I've got five days rather than two. Here we go for w/c 29th April:
1 - go to dancing tonight and practice on a further occasion (definitely heavies, probably trads)
2 - continue to review King
3 - review the ceilis of the first dvd (easier than going in book order as you don't have to keep changing the disc)
4 - hornpipe choreography (I'm scrapping a couple of sets and starting again)
5 - work on the new jig sequence I learnt recently (carried over from the weekend)
1 - gently run my traditional sets - done! Kicked myself in the shin two bars into St Patrick's Day and set off a nice little bruise, but it was an ok session apart from that. St Pat's itself was fine, not my favourite trad set. I feel like I sink too much in the four trebles. In the Blackbird I tangled my feet in the step (tried to go 'and brush and brush treble and back 23' when of course there's no 'back') but started again and it was fine. Garden I really struggled with especially in the step, but I got myself back on it. I probably haven't danced it since my exam so it's always going to be rusty. Jockey was ok considering it's still quite new to me and I've practised it a grand total of about four time. Three Seas similar - need to work out which foot I'm on in the boxes. Job I actually did correctly all the way through at the first time of asking for the first time in my ENTIRE life. And King, although I only did the step, was ok. More on this....
2 - review King, because it's not sticking in my brain - in progress. I've done a video clip on my phone so that I don't have to always put the dvd on to review, but it's still a source of confusion in places. Must try to actually dance it now.
3 - attempt some hornpipe choreography - well, yes. I've got 8 bars that look really nice in my head and would be good for both dancing and teaching, but my feet won't move fast enough because in my infinite genius I put in a move I can't do. Yet.
4 - work on the new sequence I've learnt recently - forgot about this one.
5 - identify areas for study, ceili-wise - yes, done. Basically I thought through every single dance and wrote a list of things I wasn't sure about - like "which was does the ring go in dance x" or "which side do the gents cross in movement y". I then used the book to answer all my own questions which was quite a useful exercise.
As there's less free time during the working week, I am going to give myself another five tasks but this time I've got five days rather than two. Here we go for w/c 29th April:
1 - go to dancing tonight and practice on a further occasion (definitely heavies, probably trads)
2 - continue to review King
3 - review the ceilis of the first dvd (easier than going in book order as you don't have to keep changing the disc)
4 - hornpipe choreography (I'm scrapping a couple of sets and starting again)
5 - work on the new jig sequence I learnt recently (carried over from the weekend)
Monday, 20 August 2012
87
87 days to go.
Continuing on a theme of posting an inspirational picture, I found this today:
There's so much life and colour in it - their legs are a blur, almost spirit-like, and it's interesting that there's not much detail on their faces. They're part of the whole, important but not important. Creating the dance but secondary to the dance itself. I even find the source fascinating - an Irish painter who's lived in Iceland for decades.
Aside from waxing lyrical, the true point of the post is a progress update but of course I wanted to make it less boring :)
Wednesday 15th Aug - calf stretches (sorely needed, literally) and arch exercises. Also scored 99% on a past paper. I do take that with a pinch of salt as of course I'm marking my own work, but I still believe I'll pass this comfortably.
Thursday 16th - Ran through three traditional sets - St Patrick's Day, Blackbird and Job of Journeywork - each time doing them over and over until I'd done them right all the way through. Job was a struggle as parts I could barely remember. I was taught Garden a few months ago but I haven't even thought about it since so that will need some serious revision. I then moved on to modern sets, and ran through the White Blankets and Fiddler Round the Fairy Tree - again until I'd done them right. Blankets was a mystery - there's a dead easy treble-toe-cut sequence that I could do with my eyes closed ordinarily, but it just was not happening. It was almost funny how I couldn't make myself do it! Eventually I got it straight in my head again but that could definitely do with some tidying, and I need to change the end combination as I've used it in another set and I can't have that kind of repetition.
Friday 17th - Swam again, this time 1,000m in about 50 minutes. I also did some stretches and some work with the resistance of the water, like jogging on the spot kicking my bum, making sure toes were pointed and that I was landing turned out. Very tiring - it'll take a while to get back up to full swimming fitness I think - I used to go three times a week but haven't been regularly for well over two years.
Saturday and Sunday - weekends are always difficult, and there's no class at the moment. I made a token gesture of revising music both days, and also made up two slip jig steps which I was very proud of as they're very different to the stuff I'd been thinking up recently, and much more like the kind of slip jig I want to dance.
That's me up to date. Monday today, so ceili class with a bit of solo practice thrown in as and where I can.
Continuing on a theme of posting an inspirational picture, I found this today:
There's so much life and colour in it - their legs are a blur, almost spirit-like, and it's interesting that there's not much detail on their faces. They're part of the whole, important but not important. Creating the dance but secondary to the dance itself. I even find the source fascinating - an Irish painter who's lived in Iceland for decades.
Aside from waxing lyrical, the true point of the post is a progress update but of course I wanted to make it less boring :)
Wednesday 15th Aug - calf stretches (sorely needed, literally) and arch exercises. Also scored 99% on a past paper. I do take that with a pinch of salt as of course I'm marking my own work, but I still believe I'll pass this comfortably.
Thursday 16th - Ran through three traditional sets - St Patrick's Day, Blackbird and Job of Journeywork - each time doing them over and over until I'd done them right all the way through. Job was a struggle as parts I could barely remember. I was taught Garden a few months ago but I haven't even thought about it since so that will need some serious revision. I then moved on to modern sets, and ran through the White Blankets and Fiddler Round the Fairy Tree - again until I'd done them right. Blankets was a mystery - there's a dead easy treble-toe-cut sequence that I could do with my eyes closed ordinarily, but it just was not happening. It was almost funny how I couldn't make myself do it! Eventually I got it straight in my head again but that could definitely do with some tidying, and I need to change the end combination as I've used it in another set and I can't have that kind of repetition.
Friday 17th - Swam again, this time 1,000m in about 50 minutes. I also did some stretches and some work with the resistance of the water, like jogging on the spot kicking my bum, making sure toes were pointed and that I was landing turned out. Very tiring - it'll take a while to get back up to full swimming fitness I think - I used to go three times a week but haven't been regularly for well over two years.
Saturday and Sunday - weekends are always difficult, and there's no class at the moment. I made a token gesture of revising music both days, and also made up two slip jig steps which I was very proud of as they're very different to the stuff I'd been thinking up recently, and much more like the kind of slip jig I want to dance.
That's me up to date. Monday today, so ceili class with a bit of solo practice thrown in as and where I can.
Tuesday, 19 April 2011
Class
I don't know where to start really. I got there about 40 minutes early to do some practice and there began a complete mixed bag of an evening. My new supposedly easy heavy jig (one day to be a jig set step) was actually quite difficult with some funny timing and a treble sequence that I can do in bare feet but not in shoes. I did it a few times over and recorded it to watch back. I still sit on my knees and treble too far ahead of myself. But, I fixed the timing, the double-back is strong on BOTH feet (miracle) and occasionally I hit some clicks. It WAS getting slightly better. Until my arches decided to flare and my Achilles decided to seize up. I tried to persevere - stretched them out, did some exercises - and attempted Job. I was trying to video it and messed it up every single time; it was getting ironically amusing.
Everyone started arriving then (I had three, woo) so I put my trainers on and played teacher instead of dancing along with them like I usually do. All the light solos went ok so I took advantage of the fact that there were four of us and attempted to dance again.
We did the Four-Hand Reel just so that I could get that first figure straight in my head for once. Achieved! We then moved on to the Humours of Bandon which is actually a lot of fun to dance. Last time I taught it, I got the first figure a little bit wrong but this time I had everyone catching the correct hands and it didn't go too badly. But then I felt a burning pain in the arch of my right foot, like something had snapped, so that was it from me. Trainers back on (they are good shoes, good support) and traditional sets attempted. R got St Patrick's Day, all the way through, which I was pleased with as they were struggling with the set a bit. She also managed the step of the Blackbird, as did J, and we moved on to the first half of the set which is coming along.
After a quick check of the Worlds results (look at the grid marks on feisresults.blogspot.com - yesterday's winners were very consistent. Good to see. Jack Quinn = amazing!) I showered then spent the rest of the evening icing my feet, rubbing in ibuprofen gel, and mummifying myself in supports. That routine repeated this morning minus the ice. And I thought to myself, how am I ever going to get good enough to pass the dancing exam if I can't DANCE? I'm confident I could take the writtens today and pass. I'd give ceili teaching a bloody good go and might scrape through. Solo teaching, if I got lucky and got beginner or middling dancers I might get through that as well. Own dancing - only if I didn't have to do jig, hornpipe or any modern sets. Such a shame you can't take this exam in instalments.
I was aiming for mid-2012 and I don't think I'm going to get there. It's already mid-2011 and I can't do any meaningful dance practise - and there's SO MUCH to fix. Turnout - fine in socks, abysmal in shoes. Rhythm, ok, but still unused to the shoes. Clicks, generally not happening. Knees - permanently bent. Not high on toes, not crossing. These are all things I used to be able to do, but only on four classes a week. If I had a week off, everything would be gone and I'd have to start again. I know what I'm like.
Then on the way to work I just realised - I only have to put up with pain, ice, stiffness and bandages until the exam is over. After that I choose when I dance. And I started to think maybe it isn't so impossible after all.
-----
Off to Dublin on Wednesday afternoon - class resumes on Wednesday 27th.
Everyone started arriving then (I had three, woo) so I put my trainers on and played teacher instead of dancing along with them like I usually do. All the light solos went ok so I took advantage of the fact that there were four of us and attempted to dance again.
We did the Four-Hand Reel just so that I could get that first figure straight in my head for once. Achieved! We then moved on to the Humours of Bandon which is actually a lot of fun to dance. Last time I taught it, I got the first figure a little bit wrong but this time I had everyone catching the correct hands and it didn't go too badly. But then I felt a burning pain in the arch of my right foot, like something had snapped, so that was it from me. Trainers back on (they are good shoes, good support) and traditional sets attempted. R got St Patrick's Day, all the way through, which I was pleased with as they were struggling with the set a bit. She also managed the step of the Blackbird, as did J, and we moved on to the first half of the set which is coming along.
After a quick check of the Worlds results (look at the grid marks on feisresults.blogspot.com - yesterday's winners were very consistent. Good to see. Jack Quinn = amazing!) I showered then spent the rest of the evening icing my feet, rubbing in ibuprofen gel, and mummifying myself in supports. That routine repeated this morning minus the ice. And I thought to myself, how am I ever going to get good enough to pass the dancing exam if I can't DANCE? I'm confident I could take the writtens today and pass. I'd give ceili teaching a bloody good go and might scrape through. Solo teaching, if I got lucky and got beginner or middling dancers I might get through that as well. Own dancing - only if I didn't have to do jig, hornpipe or any modern sets. Such a shame you can't take this exam in instalments.
I was aiming for mid-2012 and I don't think I'm going to get there. It's already mid-2011 and I can't do any meaningful dance practise - and there's SO MUCH to fix. Turnout - fine in socks, abysmal in shoes. Rhythm, ok, but still unused to the shoes. Clicks, generally not happening. Knees - permanently bent. Not high on toes, not crossing. These are all things I used to be able to do, but only on four classes a week. If I had a week off, everything would be gone and I'd have to start again. I know what I'm like.
Then on the way to work I just realised - I only have to put up with pain, ice, stiffness and bandages until the exam is over. After that I choose when I dance. And I started to think maybe it isn't so impossible after all.
-----
Off to Dublin on Wednesday afternoon - class resumes on Wednesday 27th.
Thursday, 14 April 2011
Heavy Jigs
On a roll! Since I stuck my neck out and actually tried to choreograph something, I've got a head full of jig ideas. Some of them are quite simple and might be better for an intermediate or prelim dancer, so here's my cheat - they will serve as the step part of my various jig sets, and then when it gets to the set I can throw in stuff I can only do on one foot, like drums and suchlike. It's probably not in the spirit of things but isn't that what everybody does?!
Productive class last night. Sadly my two beginners didn't return so it was just me and my faithful cohorts R and J. J learned the primary slip jig despite protesting that she's always hated the dance, and they both almost got the Blackbird step.
As far as my challenges go I did indeed go over Job (only in trainers as my feet were complaining) but I did it all the way through correctly, and had a few goes of my various jigs as well.
Only one class next week as I'm off to Dublin and the Citywest :) Cannot WAIT!!!
In the meantime, I have GOT to learn that jig stamp combination on my left foot. How hard can it be? Hop da da-da da da, DA. Hop right left-left right left, RIGHT.
Productive class last night. Sadly my two beginners didn't return so it was just me and my faithful cohorts R and J. J learned the primary slip jig despite protesting that she's always hated the dance, and they both almost got the Blackbird step.
As far as my challenges go I did indeed go over Job (only in trainers as my feet were complaining) but I did it all the way through correctly, and had a few goes of my various jigs as well.
Only one class next week as I'm off to Dublin and the Citywest :) Cannot WAIT!!!
In the meantime, I have GOT to learn that jig stamp combination on my left foot. How hard can it be? Hop da da-da da da, DA. Hop right left-left right left, RIGHT.
Thursday, 24 February 2011
Blackbird Part 3
After first starting to learn the Blackbird 1,000 years ago, giving up and not looking at it since, I know it! This is a "so what" moment for most I know, but this is huge for me. And I even learnt all of it wearing my jig shoes. I've worn through the heel of a poodle sock in the process but I'm so proud of myself right now. I even shouted YES incredibly loud when I finished it and startled some passers-by.
STEP
& brush & brush treble 12 12 & brush treble 12 12 & brush treble 12 12 & brush treble 12 12 & brush treble hop back treble & 123 over 23 & brush treble in front treble behind
SET
Hop down treble & back hop rock 23 hop rock 23 over 23 over 23 over 23 & treble & back hop change change rock rock brush treble & back treble & back
Hop 23 12 12 hop 23 stamp toe heel over 2345 change point back rock rock treble & a back & brush & brush treble & a back & brush & brush treble in front treble behind.
GET IN.
Wednesday, 14 April 2010
Blackbird Part 2
This is me, hating on the Blackbird. She doesn't go slow enough and then what the dancers do doesn't look like what she did in all parts. Here's what I've got.
Hop down treble + back hop rock 23 hop rock 23 jump 23 jump 23 jump 23 + treble + back
Hop change change rock rock brush treble + back + treble + back
Tip onto your heel 12 12 tip onto your heel stamp toe heel.
I cannot get the last bit. She doesn't even bother explaining the end treble combination, it's shocking. I *think* it's: .
Change 2345 change point back rock 23. Then a load of trebles.
I actually need somebody to show me, in person, how to do this. I'm really worried now. She took St Patrick's Day really slowly, and although it took me ages I did get it. I was overly frustrated at myself during the Blackbird step but eventually got it because it's so repetitive, not because it was explained well. If I was now in the frame of mind to concentrate and try, I could get the thing that I think that I got. But anything after that is not going to happen tonight. I probably don't need someone to show it to me, I probably just need to NOT try and learn a dance after a driving lesson and not be such a baby.
Up yours, Blackbird.
Hop down treble + back hop rock 23 hop rock 23 jump 23 jump 23 jump 23 + treble + back
Hop change change rock rock brush treble + back + treble + back
Tip onto your heel 12 12 tip onto your heel stamp toe heel.
I cannot get the last bit. She doesn't even bother explaining the end treble combination, it's shocking. I *think* it's: .
Change 2345 change point back rock 23. Then a load of trebles.
I actually need somebody to show me, in person, how to do this. I'm really worried now. She took St Patrick's Day really slowly, and although it took me ages I did get it. I was overly frustrated at myself during the Blackbird step but eventually got it because it's so repetitive, not because it was explained well. If I was now in the frame of mind to concentrate and try, I could get the thing that I think that I got. But anything after that is not going to happen tonight. I probably don't need someone to show it to me, I probably just need to NOT try and learn a dance after a driving lesson and not be such a baby.
Up yours, Blackbird.
Labels:
Blackbird,
irish dance,
irish dancing,
Olive Hurley,
TCRG exam,
traditional set
Blackbird Part 1
This is just to say, it is floofing torturing me. I feel like a whale in pyjama bottoms, hopping on the spot.
Brush + brush tre-ble 12 12 + brush tre-ble 12 12 + brush tre-ble 12 12 + brush treble 12 12
Brush + treble + back + treble + back 12 jump 23 + brush tre-ble in front tre-ble behind.
THEN WHAT?!
OH MY GOD Olive, why can't you s-l-o-w i-t d-o-w-n! "That's easy enough!", she gloats. Yeah, if you've known it your whole life it is. I hope I never teach like this.
That is all. I have an hour left before the boys come home. I will have the set by then. OMG.
Brush + brush tre-ble 12 12 + brush tre-ble 12 12 + brush tre-ble 12 12 + brush treble 12 12
Brush + treble + back + treble + back 12 jump 23 + brush tre-ble in front tre-ble behind.
THEN WHAT?!
OH MY GOD Olive, why can't you s-l-o-w i-t d-o-w-n! "That's easy enough!", she gloats. Yeah, if you've known it your whole life it is. I hope I never teach like this.
That is all. I have an hour left before the boys come home. I will have the set by then. OMG.
Labels:
Blackbird,
irish dance,
irish dancing,
TCRG exam,
traditional set
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