Ok so the original bogey set is fixed and looking quite nice now. But then another bogey dance has reared its ugly, ugly head! I've spent all day turning it over in my mind trying to fix it and I think I've got something but it's too late to practise it now, it'll have to wait til class tomorrow. I think it works, and if it does that's the last hurdle. That will make me feel confident about dancing because everything else is coming along a treat.
Jesus it's December today. It's this month. It's in 12 days. Insert expletive of choice here.
Showing posts with label hornpipe. Show all posts
Showing posts with label hornpipe. Show all posts
Sunday, 1 December 2013
Saturday, 10 August 2013
Monday, 15 July 2013
150 days to go
Here's where it becomes real again. 150 days to go, so I thought I'd write a list of what I've done and what I need to do choreography wise. I want every step finalised by the end of August, so that the following 3.5 months can be dedicated to practising and teaching and nothing else.
Solos:
1 reel step and 1 slip jig step decided on.
To do: finalise 2nd step for both, practise everything.
2 hornpipe and 1 jig step decided on.
To do: choreograph 2nd jig step and practise everything.
Sets:
All traditional sets learnt.
To do: Work on King as it's the newest one and I'm not quite there. Practise everything else.
2x hornpipe sets finalised, 1x hornpipe set step finalised.
To do: Finish 3rd hornpipe set - set part to be choreographed. Practise everything.
2x heavy jig sets finalised.
To do: Choreograph 3rd and final heavy jig set. Practise everything.
Teaching:
Most dancing steps suitable for teaching. Beginning and intermediate level steps all sorted. Some boys steps sorted thanks to possible tweaks of girls steps to make them masculine.
To do: Boys reel and boys hornpipe to be choreographed and practised. Teaching to be practised in general.
So to sum up, my choreography to do list looks like:
- 1x girls reel for me/teaching
- 1x boys reel to teach (adaptable for different levels)
- 1x slip jig to finalise
- 1x jig step for me/teaching
- 1x boys hornpipe step (adaptable for different levels)
- 1x hornpipe set set
- 1x full jig set
And my practising to do list looks like:
- EVERYTHING!
Solos:
1 reel step and 1 slip jig step decided on.
To do: finalise 2nd step for both, practise everything.
2 hornpipe and 1 jig step decided on.
To do: choreograph 2nd jig step and practise everything.
Sets:
All traditional sets learnt.
To do: Work on King as it's the newest one and I'm not quite there. Practise everything else.
2x hornpipe sets finalised, 1x hornpipe set step finalised.
To do: Finish 3rd hornpipe set - set part to be choreographed. Practise everything.
2x heavy jig sets finalised.
To do: Choreograph 3rd and final heavy jig set. Practise everything.
Teaching:
Most dancing steps suitable for teaching. Beginning and intermediate level steps all sorted. Some boys steps sorted thanks to possible tweaks of girls steps to make them masculine.
To do: Boys reel and boys hornpipe to be choreographed and practised. Teaching to be practised in general.
So to sum up, my choreography to do list looks like:
- 1x girls reel for me/teaching
- 1x boys reel to teach (adaptable for different levels)
- 1x slip jig to finalise
- 1x jig step for me/teaching
- 1x boys hornpipe step (adaptable for different levels)
- 1x hornpipe set set
- 1x full jig set
And my practising to do list looks like:
- EVERYTHING!
Thursday, 9 May 2013
Hornpipes. Help.
I think the only thing I'm really concentrating on at the moment is the hornpipe. The blasted hornpipe.
In my first life as a competitive dancer, I'd been working my way through the grades with jig for months before we started working on a hornpipe. I remember going to one feis with a knee injury and just wanting to get it out of the way, so I only danced the primary 'pipe and trophy, for the first time, and won both. Can't remember the steps. I think that was my last feis in Life One.
In Life Two I learnt a hornpipe for grades, then started competing in open and was jig/hornpipe set. Can't remember any of those steps. I then had a second hornpipe set when I progressed a little - can remember a few of the combinations from it, but not enough that I'd be able to dance it.
I'd NEVER choreographed hornpipe before attempting the TCRG exam.
I have NO repertoire when it comes to hornpipes at all. I have no back catalogue of steps to draw on, no little treble combinations that you can slip in here and there to up the difficulty or change the rhythm like I do in the jig.
Hornpipe is my nemesis dance. I love watching it, but when it comes to choreographing something more difficult than prelim level I just strop and think this music is not suitable for Irish dancing!!!
I'm trying SO hard on this. I've done so much choreography over the last few days, only to realise it just doesn't work in practice like it does in my head. I've made a few breakthroughs by learning a few of the aforementioned combinations, but when choreographing I just can't break out from my bitty style - nothing flows. It's like here's this combination, then I'll stamp or pause, now here's another combination, stamp, here's another, stamp, clicky sequence, stamp, done. It needs to come together more cohesively.
In my first life as a competitive dancer, I'd been working my way through the grades with jig for months before we started working on a hornpipe. I remember going to one feis with a knee injury and just wanting to get it out of the way, so I only danced the primary 'pipe and trophy, for the first time, and won both. Can't remember the steps. I think that was my last feis in Life One.
In Life Two I learnt a hornpipe for grades, then started competing in open and was jig/hornpipe set. Can't remember any of those steps. I then had a second hornpipe set when I progressed a little - can remember a few of the combinations from it, but not enough that I'd be able to dance it.
I'd NEVER choreographed hornpipe before attempting the TCRG exam.
I have NO repertoire when it comes to hornpipes at all. I have no back catalogue of steps to draw on, no little treble combinations that you can slip in here and there to up the difficulty or change the rhythm like I do in the jig.
Hornpipe is my nemesis dance. I love watching it, but when it comes to choreographing something more difficult than prelim level I just strop and think this music is not suitable for Irish dancing!!!
I'm trying SO hard on this. I've done so much choreography over the last few days, only to realise it just doesn't work in practice like it does in my head. I've made a few breakthroughs by learning a few of the aforementioned combinations, but when choreographing I just can't break out from my bitty style - nothing flows. It's like here's this combination, then I'll stamp or pause, now here's another combination, stamp, here's another, stamp, clicky sequence, stamp, done. It needs to come together more cohesively.
Anybody got any inspiring hornpipe videos from YouTube they can share? Sets, steps, step-abouts, any level. Give me ALL the hornpipes!
Monday, 29 April 2013
Four out of five.
Weekend was fairly productive.
1 - gently run my traditional sets - done! Kicked myself in the shin two bars into St Patrick's Day and set off a nice little bruise, but it was an ok session apart from that. St Pat's itself was fine, not my favourite trad set. I feel like I sink too much in the four trebles. In the Blackbird I tangled my feet in the step (tried to go 'and brush and brush treble and back 23' when of course there's no 'back') but started again and it was fine. Garden I really struggled with especially in the step, but I got myself back on it. I probably haven't danced it since my exam so it's always going to be rusty. Jockey was ok considering it's still quite new to me and I've practised it a grand total of about four time. Three Seas similar - need to work out which foot I'm on in the boxes. Job I actually did correctly all the way through at the first time of asking for the first time in my ENTIRE life. And King, although I only did the step, was ok. More on this....
2 - review King, because it's not sticking in my brain - in progress. I've done a video clip on my phone so that I don't have to always put the dvd on to review, but it's still a source of confusion in places. Must try to actually dance it now.
3 - attempt some hornpipe choreography - well, yes. I've got 8 bars that look really nice in my head and would be good for both dancing and teaching, but my feet won't move fast enough because in my infinite genius I put in a move I can't do. Yet.
4 - work on the new sequence I've learnt recently - forgot about this one.
5 - identify areas for study, ceili-wise - yes, done. Basically I thought through every single dance and wrote a list of things I wasn't sure about - like "which was does the ring go in dance x" or "which side do the gents cross in movement y". I then used the book to answer all my own questions which was quite a useful exercise.
As there's less free time during the working week, I am going to give myself another five tasks but this time I've got five days rather than two. Here we go for w/c 29th April:
1 - go to dancing tonight and practice on a further occasion (definitely heavies, probably trads)
2 - continue to review King
3 - review the ceilis of the first dvd (easier than going in book order as you don't have to keep changing the disc)
4 - hornpipe choreography (I'm scrapping a couple of sets and starting again)
5 - work on the new jig sequence I learnt recently (carried over from the weekend)
1 - gently run my traditional sets - done! Kicked myself in the shin two bars into St Patrick's Day and set off a nice little bruise, but it was an ok session apart from that. St Pat's itself was fine, not my favourite trad set. I feel like I sink too much in the four trebles. In the Blackbird I tangled my feet in the step (tried to go 'and brush and brush treble and back 23' when of course there's no 'back') but started again and it was fine. Garden I really struggled with especially in the step, but I got myself back on it. I probably haven't danced it since my exam so it's always going to be rusty. Jockey was ok considering it's still quite new to me and I've practised it a grand total of about four time. Three Seas similar - need to work out which foot I'm on in the boxes. Job I actually did correctly all the way through at the first time of asking for the first time in my ENTIRE life. And King, although I only did the step, was ok. More on this....
2 - review King, because it's not sticking in my brain - in progress. I've done a video clip on my phone so that I don't have to always put the dvd on to review, but it's still a source of confusion in places. Must try to actually dance it now.
3 - attempt some hornpipe choreography - well, yes. I've got 8 bars that look really nice in my head and would be good for both dancing and teaching, but my feet won't move fast enough because in my infinite genius I put in a move I can't do. Yet.
4 - work on the new sequence I've learnt recently - forgot about this one.
5 - identify areas for study, ceili-wise - yes, done. Basically I thought through every single dance and wrote a list of things I wasn't sure about - like "which was does the ring go in dance x" or "which side do the gents cross in movement y". I then used the book to answer all my own questions which was quite a useful exercise.
As there's less free time during the working week, I am going to give myself another five tasks but this time I've got five days rather than two. Here we go for w/c 29th April:
1 - go to dancing tonight and practice on a further occasion (definitely heavies, probably trads)
2 - continue to review King
3 - review the ceilis of the first dvd (easier than going in book order as you don't have to keep changing the disc)
4 - hornpipe choreography (I'm scrapping a couple of sets and starting again)
5 - work on the new jig sequence I learnt recently (carried over from the weekend)
Monday, 30 January 2012
This week's challenge
Note to self.
Make up a set dance. Stop stalling and pretending you can't because you haven't danced in ages - just make one up. You might end up scrapping it when you get better at choreography but for now, just make one up. Make it hard for yourself by choosing a hornpipe set, but make it easy by choosing a shortie. The White Blankets, there you go. Do that one. By Saturday class, you will have a hornpipe set that you have actually danced rather than just thought through. You might even be brave enough to show your teacher! Do it. Stop looking at hornpipes on YouTube and stop blogging about it and just do it.
Make up a set dance. Stop stalling and pretending you can't because you haven't danced in ages - just make one up. You might end up scrapping it when you get better at choreography but for now, just make one up. Make it hard for yourself by choosing a hornpipe set, but make it easy by choosing a shortie. The White Blankets, there you go. Do that one. By Saturday class, you will have a hornpipe set that you have actually danced rather than just thought through. You might even be brave enough to show your teacher! Do it. Stop looking at hornpipes on YouTube and stop blogging about it and just do it.
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