I haven't touched the vast majority of ceilis for absolutely ages. We do the Four Hand Reel (but no figures) and a few of the Eight-Hands in class, but for months I haven't even looked at a past paper, video, or Ar Rinci Foirne itself. It's about time I started revising again so today I tried to write them all out, in book order. Not in full, obviously, just movement names, formations and numbers of bars.
First of all Book One.
I didn't get them in book order. Put Siege in before Humours rather than 9th. BUT - I didn't get anything wrong. All movement names present and correct, all bars correct. The girl done good. But I want to revise...
1) Four Hand Reel, 1st figure - Figure of Eight and Rings of Three
2) High Cauled Cap, 2nd figure - Circle and Cross, both versions
3) 16 Hand Reel, all
4) Humours of Bandon, both figures - Advance Through Centre and Centre Meet
5) Eight Hand Jig, 2nd figure - Right and Left Chain and Right Hand to Opposite Lady
Showing posts with label Humours of Bandon. Show all posts
Showing posts with label Humours of Bandon. Show all posts
Friday, 22 July 2011
Tuesday, 19 April 2011
Class
I don't know where to start really. I got there about 40 minutes early to do some practice and there began a complete mixed bag of an evening. My new supposedly easy heavy jig (one day to be a jig set step) was actually quite difficult with some funny timing and a treble sequence that I can do in bare feet but not in shoes. I did it a few times over and recorded it to watch back. I still sit on my knees and treble too far ahead of myself. But, I fixed the timing, the double-back is strong on BOTH feet (miracle) and occasionally I hit some clicks. It WAS getting slightly better. Until my arches decided to flare and my Achilles decided to seize up. I tried to persevere - stretched them out, did some exercises - and attempted Job. I was trying to video it and messed it up every single time; it was getting ironically amusing.
Everyone started arriving then (I had three, woo) so I put my trainers on and played teacher instead of dancing along with them like I usually do. All the light solos went ok so I took advantage of the fact that there were four of us and attempted to dance again.
We did the Four-Hand Reel just so that I could get that first figure straight in my head for once. Achieved! We then moved on to the Humours of Bandon which is actually a lot of fun to dance. Last time I taught it, I got the first figure a little bit wrong but this time I had everyone catching the correct hands and it didn't go too badly. But then I felt a burning pain in the arch of my right foot, like something had snapped, so that was it from me. Trainers back on (they are good shoes, good support) and traditional sets attempted. R got St Patrick's Day, all the way through, which I was pleased with as they were struggling with the set a bit. She also managed the step of the Blackbird, as did J, and we moved on to the first half of the set which is coming along.
After a quick check of the Worlds results (look at the grid marks on feisresults.blogspot.com - yesterday's winners were very consistent. Good to see. Jack Quinn = amazing!) I showered then spent the rest of the evening icing my feet, rubbing in ibuprofen gel, and mummifying myself in supports. That routine repeated this morning minus the ice. And I thought to myself, how am I ever going to get good enough to pass the dancing exam if I can't DANCE? I'm confident I could take the writtens today and pass. I'd give ceili teaching a bloody good go and might scrape through. Solo teaching, if I got lucky and got beginner or middling dancers I might get through that as well. Own dancing - only if I didn't have to do jig, hornpipe or any modern sets. Such a shame you can't take this exam in instalments.
I was aiming for mid-2012 and I don't think I'm going to get there. It's already mid-2011 and I can't do any meaningful dance practise - and there's SO MUCH to fix. Turnout - fine in socks, abysmal in shoes. Rhythm, ok, but still unused to the shoes. Clicks, generally not happening. Knees - permanently bent. Not high on toes, not crossing. These are all things I used to be able to do, but only on four classes a week. If I had a week off, everything would be gone and I'd have to start again. I know what I'm like.
Then on the way to work I just realised - I only have to put up with pain, ice, stiffness and bandages until the exam is over. After that I choose when I dance. And I started to think maybe it isn't so impossible after all.
-----
Off to Dublin on Wednesday afternoon - class resumes on Wednesday 27th.
Everyone started arriving then (I had three, woo) so I put my trainers on and played teacher instead of dancing along with them like I usually do. All the light solos went ok so I took advantage of the fact that there were four of us and attempted to dance again.
We did the Four-Hand Reel just so that I could get that first figure straight in my head for once. Achieved! We then moved on to the Humours of Bandon which is actually a lot of fun to dance. Last time I taught it, I got the first figure a little bit wrong but this time I had everyone catching the correct hands and it didn't go too badly. But then I felt a burning pain in the arch of my right foot, like something had snapped, so that was it from me. Trainers back on (they are good shoes, good support) and traditional sets attempted. R got St Patrick's Day, all the way through, which I was pleased with as they were struggling with the set a bit. She also managed the step of the Blackbird, as did J, and we moved on to the first half of the set which is coming along.
After a quick check of the Worlds results (look at the grid marks on feisresults.blogspot.com - yesterday's winners were very consistent. Good to see. Jack Quinn = amazing!) I showered then spent the rest of the evening icing my feet, rubbing in ibuprofen gel, and mummifying myself in supports. That routine repeated this morning minus the ice. And I thought to myself, how am I ever going to get good enough to pass the dancing exam if I can't DANCE? I'm confident I could take the writtens today and pass. I'd give ceili teaching a bloody good go and might scrape through. Solo teaching, if I got lucky and got beginner or middling dancers I might get through that as well. Own dancing - only if I didn't have to do jig, hornpipe or any modern sets. Such a shame you can't take this exam in instalments.
I was aiming for mid-2012 and I don't think I'm going to get there. It's already mid-2011 and I can't do any meaningful dance practise - and there's SO MUCH to fix. Turnout - fine in socks, abysmal in shoes. Rhythm, ok, but still unused to the shoes. Clicks, generally not happening. Knees - permanently bent. Not high on toes, not crossing. These are all things I used to be able to do, but only on four classes a week. If I had a week off, everything would be gone and I'd have to start again. I know what I'm like.
Then on the way to work I just realised - I only have to put up with pain, ice, stiffness and bandages until the exam is over. After that I choose when I dance. And I started to think maybe it isn't so impossible after all.
-----
Off to Dublin on Wednesday afternoon - class resumes on Wednesday 27th.
Tuesday, 15 February 2011
Five ceilis and a heavy jig
That's pretty much what I got through last night. Retaught them the first figure of the Four-Hand Reel and then went on a bit of a frenzy with any ceili that can be done in a four. Antrim Reel, Siege of Carrick and the Walls of Limerick were finished within about half an hour, and then we moved onto the Humours of Bandon. I actually love the body to dance. I've always thought the figures were a bit of a mess and my opinion remains the same, but we got them regardless. How I wish I had seven dancers instead of four. If they're going to collapse in giggles at how well the claps in the Siege of Carrick fit with the music, then I'm going to have absolutely no chance at controlling them through the Three Tunes!
Class over and tables replaced, I decided to get the heavy shoes on. Ow, it's been a while. That needs a lot of work but I'm encouraged on a couple of points:
To finish on a happy note, one of the girls said "why can't we have more than one class a week?" I wish, J. I wish!
Class over and tables replaced, I decided to get the heavy shoes on. Ow, it's been a while. That needs a lot of work but I'm encouraged on a couple of points:
- Hit a few clicks, even the hard ones
- Nailed my rhythm bits including the double back treble and the toe-over-toe
- Didn't miss a treble
- Loouuudddd
- Pointe work strong
To finish on a happy note, one of the girls said "why can't we have more than one class a week?" I wish, J. I wish!
Monday, 15 November 2010
Sides
Inspired by the "16-Hand Reel Question" on the TCRG Voy, I wanted to see how many different movements come under the name of "Sides". The answer's ten!
1) Eight-Hand Reel, Cross Reel
Technically this is Extended Sides but I'll include it anyway. Partners exchange places with sidestep and threes, then continue on the same direction. Gent takes right hands with the lady on his right and they turn in place before chaining back to meet own partner in original place (16).
2) Morris Reel
Partners take both hands - right in right, left in left. Tops dance sidestep and threes to the right and back, while sides dance to the left and back. Tops then dance sidestep and threes to the left and back, while sides dance to the right and back (16).
3) High Cauled Cap
Partners take inside hands. Tops dance sidestep and threes to the right, sides to the left. Continue in the same direction back to place (16).
4) Sixteen-Hand Reel
Partners exchange places with sidestep and threes, then back to place (8).
5) Humours of Bandon, Eight-Hand Jig and St Patrick's Day
Partners exchange places with sidestep and rising step, then back to place (8).
6) Siege of Ennis
Partners take inside hands and exchange places with the other couple in their set of four, with sidestep and rising step, then back to place (8).
7) Harvest-time Jig
Each trio moves to the right with sidestep and rising step, then back to place. On the repeat, they move to the left and back to place in the same way (8).
8) The Three Tunes
All hold hands in a ring and sidestep/threes to the left and back, then to the right and back (16).
9) St Patrick's Day
Another Extended Sides, done in the same way as the Eight-Hand Reel but with the rising step in the place of the two short threes.
10) The Duke Reel
Partners exchange places with sidestep and threes, then return to place. Gents then exchange places with lady on their left in the same way, and back to place (16).
Thank goodness for consistency, right?! I think my favourite method is the Morris Reel, just because of the crossed hands.
1) Eight-Hand Reel, Cross Reel
Technically this is Extended Sides but I'll include it anyway. Partners exchange places with sidestep and threes, then continue on the same direction. Gent takes right hands with the lady on his right and they turn in place before chaining back to meet own partner in original place (16).
2) Morris Reel
Partners take both hands - right in right, left in left. Tops dance sidestep and threes to the right and back, while sides dance to the left and back. Tops then dance sidestep and threes to the left and back, while sides dance to the right and back (16).
3) High Cauled Cap
Partners take inside hands. Tops dance sidestep and threes to the right, sides to the left. Continue in the same direction back to place (16).
4) Sixteen-Hand Reel
Partners exchange places with sidestep and threes, then back to place (8).
5) Humours of Bandon, Eight-Hand Jig and St Patrick's Day
Partners exchange places with sidestep and rising step, then back to place (8).
6) Siege of Ennis
Partners take inside hands and exchange places with the other couple in their set of four, with sidestep and rising step, then back to place (8).
7) Harvest-time Jig
Each trio moves to the right with sidestep and rising step, then back to place. On the repeat, they move to the left and back to place in the same way (8).
8) The Three Tunes
All hold hands in a ring and sidestep/threes to the left and back, then to the right and back (16).
9) St Patrick's Day
Another Extended Sides, done in the same way as the Eight-Hand Reel but with the rising step in the place of the two short threes.
10) The Duke Reel
Partners exchange places with sidestep and threes, then return to place. Gents then exchange places with lady on their left in the same way, and back to place (16).
Thank goodness for consistency, right?! I think my favourite method is the Morris Reel, just because of the crossed hands.
Tuesday, 2 November 2010
Pre-Trip Review
No, I'm not going on holiday. I want to start Trip to the Cottage (the only remaining dance that I've done before) but I thought I should make sure I can at least remember the bare bones of the previous three first.
The Duke Reel
Ring
Body - Sides, Link Arms, Interlace, Advance and Retire
First Figure - Figure of Eight
Body
Second Figure - Right and Left Chain
Body
Finish - Swing Around
Humours of Bandon
Lead Round
Body - Sides, Half Right and Left, Sides, Half Right and Left
First Figure - Advance Through Centre
Body
First Figure repeated by opposites
Body
Second Figure - Centre Meet
Body
Second Figure repeated by opposites
Body
Third Figure - Ladies' Chain
Body
Finish - Lead Around
The Cross Reel
Lead Round
Body - Extended Sides, Full Chain, Gentlemen Interlace, Back to Back, Exchange Places
First Figure - Figure of Eight and Ring
Body
Second Figure - Circle Round and Hands Across
Body
Finish
*check*
Three mistakes, I've corrected them ^ above but here they are:
In the Duke Reel, I called the second figure Ladies' Chain instead of Right and Left Chain. In the Cross Reel, I forgot Gentlemen Interlace in the body and called the first figure Advance and Retire instead of Figure of Eight and Ring. Pretty inexplicable that one.
I'm happy enough though so off to the cottage I go.
The Duke Reel
Ring
Body - Sides, Link Arms, Interlace, Advance and Retire
First Figure - Figure of Eight
Body
Second Figure - Right and Left Chain
Body
Finish - Swing Around
Humours of Bandon
Lead Round
Body - Sides, Half Right and Left, Sides, Half Right and Left
First Figure - Advance Through Centre
Body
First Figure repeated by opposites
Body
Second Figure - Centre Meet
Body
Second Figure repeated by opposites
Body
Third Figure - Ladies' Chain
Body
Finish - Lead Around
The Cross Reel
Lead Round
Body - Extended Sides, Full Chain, Gentlemen Interlace, Back to Back, Exchange Places
First Figure - Figure of Eight and Ring
Body
Second Figure - Circle Round and Hands Across
Body
Finish
*check*
Three mistakes, I've corrected them ^ above but here they are:
In the Duke Reel, I called the second figure Ladies' Chain instead of Right and Left Chain. In the Cross Reel, I forgot Gentlemen Interlace in the body and called the first figure Advance and Retire instead of Figure of Eight and Ring. Pretty inexplicable that one.
I'm happy enough though so off to the cottage I go.
Monday, 23 August 2010
Humours of Bandon
Easiest body in the world, but why do they have to repeat it so many times?! I can't stand a ceili that repeats the body in between each couple dancing the figures. Why? No need. No, no, no. [I iknow it's because it goes with the music but seriously it's exhausting].
With my rant out of the way, here's the actual dance:
- Lead Round
- Body (Sides, Half Right and Left, Sides, Half Right and Left)
- First Figure - Advance Through Centre
- Body
- Opposites repeat First Figure
- Body
- Second Figure - Centre Meet
- Body
- Opposites repeat Second Figure
- Body
- Third Figure - Ladies Chain
- Body
- Finish - Lead Round
304 bars.
If you ever use the TCRG Exam Website for help, they've added the bars up incorrectly on the dance summary sheet. They forgot about the body repeats, so just be aware.
Anyway, I'm confused about the second figure. The book doesn't specify what the 'free' partners are doing during the sidestep and rise and grind bit. Olive has them doing two threes and the rising step, but is this just an embellishment? I think it looks a little "busy" if I'm honest.
With my rant out of the way, here's the actual dance:
- Lead Round
- Body (Sides, Half Right and Left, Sides, Half Right and Left)
- First Figure - Advance Through Centre
- Body
- Opposites repeat First Figure
- Body
- Second Figure - Centre Meet
- Body
- Opposites repeat Second Figure
- Body
- Third Figure - Ladies Chain
- Body
- Finish - Lead Round
304 bars.
If you ever use the TCRG Exam Website for help, they've added the bars up incorrectly on the dance summary sheet. They forgot about the body repeats, so just be aware.
Anyway, I'm confused about the second figure. The book doesn't specify what the 'free' partners are doing during the sidestep and rise and grind bit. Olive has them doing two threes and the rising step, but is this just an embellishment? I think it looks a little "busy" if I'm honest.
Labels:
Ar Rinci Foirne,
ceili,
Humours of Bandon,
irish dance,
irish dancing,
TCRG exam
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